Lily van der Stokker’s It Doesn’t Mean Anything But It Looks Good is a celebration of feminist conceptual art. Enlivening minimal spaces and interiors with DayGlo floral patterns, van der Stokker’s decorative installations, wall paintings, and loose drawings are all sensitive contributions to the 1990s pop oeuvre of artists like Margaret Kilgallen, Yayoi Kusama, and Elizabeth Murray. Pastel tartans with curling Asian details splash with Dr. Suess-like whimsy across stark white backgrounds. Her work resembles the sugary confections of decadent dessert shops, but the syrupy sweetness is balanced seamlessly by her clever self-awareness and bold overstatement of bland female clichés. John Waters hails her work as hilarious, touching, and aggressive; it’s a beachy collection of graphic craft that has inspired children and fashion moguls alike. -Teresa Fredericks
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